National Youth Orchestra of Great Britain, Petrenko, Royal Festival Hall
It must be hard comprehending death when you’ve barely begun living – but the National Youth Orchestra of Great Britain has a corporate sixth sense about the subtext of music that never ceases to...
View ArticlePhilharmonia Orchestra, Maazel, Royal Festival Hall
Watching Lorin Maazel in this the latest instalment of his Philharmonia Mahler cycle was a puzzling and unsettling experience. He was there and yet not there; he was controlled and yet not; he...
View ArticleProms 63 & 64: Budapest Festival Orchestra, Fischer, Royal Albert Hall
The surprises came thick and fast – but variants on a theme of Lady Gaga in the style of Bach was not one we might have anticipated. It came courtesy of the young Croatian pianist Dejan Lazic and given...
View ArticlePhilharmonia Orchestra, Maazel, Royal Festival Hall
Lorin Maazel may well have set some kind of record here for two of the most protracted and incoherent performances in Mahler history. Even before solo violas had finished tracing out the searching...
View ArticleNew York Philharmonic Orchestra, Gilbert, Barbican Hall
For the New York Philharmonic to have embarked upon a London residency without Mahler in their portfolio would have been unconscionable. It was they, after all, who brought it to the wider world under...
View ArticleMagdalena Kozenà, Mitsuko Uchida, Wigmore Hall
It’s extraordinary how the symbiosis of spirit and rightness of timbre between an artist and a composer can turn a recital around. The Czech mezzo-soprano Magdalena Kozena is not a natural recitalist...
View ArticleProm 69: Leipzig Gewandhaus Orchestra, Chailly – Review ****
A grim logic pervaded the Leipzig Gewandhaus Orchestra’s second Prom. Messiaen’s Et expecto resurrectionem mortuorum effectively begins where Mahler’s 6th Symphony ends – from the lowest of the lowest...
View ArticleLondon Philharmonic Orchestra, Elder, Royal Festival Hall (Review)
The natural logic of this heady mix of first and second Viennese utterances was turned on its head with Webern’s early tone poem Im Sommerwind opening like a breathy premonition of the autumnal second...
View ArticleProm 35: Bavarian Radio Symphony Orchestra & Choruses, Jansons, Royal Albert...
Mariss Jansons by no means gave us the whole story of Mahler’s Second Symphony “Resurrection” at his second Prom with the Bavarian Radio Symphony Orchestra. Like Berlioz’ Symphonie fantastique from the...
View ArticleLondon Philharmonic Orchestra, Power, Jurowski, Royal Festival Hall (Review)
Nothing follows Mahler 6 and surely nothing should precede it. Nothing. Even a piece as compelling as James MacMillan’s Viola Concerto here receiving its World Premiere under the extraordinary fingers...
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